I have tons of material on Zeugma but... does anyone care? Well, let's first see what occurred in the campaign (I think some of these can be mined for adenture ideas, given that they were all adventures we ran ha.) After that, I'll give a few comments on what I learned running this.
(Party members: Orzad, the dwarven pit-fighter, Amandyl the elven "bounty hunter" (a runaway noble), Peklar the Armenian ex-bandit and Mahmud, the Turkish right-hand man of Jaffar the Merchant.)
1: The campaign begins. Party hired by
Jaffar, an ambitious merchant, to guard a rented warehouse where some his
goods are stored. It turns out the owner of the warehouse hasn't
been paying protection money to the local thieves' guild.
2: Fake brigandry. The party becomes
retainers of Jaffar. He asks the party to perform a delicate task -
to create the illusion of a heavy brigand presence upon a certain trade
route. They aren't to actually kill anyone, just scare travelers. However, the party is forced to intervene to save pilgrims
from Turkish raiders. The party encounters Hassan, a mysterious Turkish bowman, who intervenes in their favor. The party also encounters Stephanos of Trebizon and his
group.
3: Lost and Found: The party hears
rumors of a lost magical item within the city and starts looking for
it. It turns out that this is a training exercise by the local mage
guild. However, the party also learns of another, much more powerful
item being smuggled in the city - a wand infused with the deadly ice magic,
Omptose Phellac. The party makes the acquaintance of Valmaxian, a
reclusive elven sorcerer; Agda the witch; Alcanter the Blue; Thrain
Silvertouched (the Spirit Satrap) and of Feanaro Culnamo, an "elven”
“shop" “owner".
4: Grave Hunt: The scribe Ophelos has
found an old parchment indicating the true location of the tomb of
Selecus I Nicator, founder of Zeugma (one of Alexander's generals).
The city approaches the party to go on an expedition in exchange for
a share of the treasure. After a few days of travel, the tomb is
found inside a barrow which the locals swear is haunted. After
defeating the goblins inside (who were tricking the peasants into
making offerings) and the undead guardians, the tomb is secured, will
with many historical artefacts and quite a lot of treasure, including
the griffin's claw, an enchanted sword made of Damascus steel.
5: Liberation of Carablos: Rumors of
war, as Joscelin II is captured by Nur Ad Din as they were ambushed
while looking for Turkish raiders. Jaffar has report that the town
of Carablos, a critical supply point on the way to Baghdad, is
extorting travelers under the order of a new governor. Party
investigates and is joined by a mysterious vagrant, Assad the lepper.
The governor turns out to be consorting with necromancers and worse,
and Assad to be a Turk not to cross. Violent confrontation ensues.
6: The Zeugma Hastildude: Party
members take part in traditional martial games, demonstrating
archery, riding and swordsmanship. A jousting demonstration is done
and is deemed to be a silly western practice. The party does well -
Orzad reaches the semi final and loses vs Christophoros, the reigning
champion of the melee (Christophoros is then defeated by a newcomer,
Du Hamel, a templar). Peklar wins the horse-race, and Amandil
reaches the archery finals. Mahmud is trained by Assad.
7: Property fraud: a complex scheme is
unleashed upon Zeugma, where the conman sells tiny parcels of lands
to commoners to give them the right to vote. As the next election
will be for the Spirit Satrap, religious tensions flare. The party
attempts to investigate *and* profit. The conman escapes!
8: A trip to Antep: The party pursues
the conman to the nearby city of Antep, as a large bounty is on his
head. On the way, meet NubZeb the goblin. Antep situation made
complicated by the conman hiring local thief guild as protection, by members of the
Zeugma thief guild also being after the bounty, by actual assassins
being after the conman *and* by Antep being besieged by the Sultanate
of Rum! Nubzeb is instrumental in gaining acess as he knows of a
secret tunnel. The conman is killed, his money seized by Antep
authorities, and some dwarves escape Antep and migrate to Zeugma with
the party.
9: A trip to Abu Kabal: Jaffar
realizes that with the disruption from the conman, the success of a
Zeugma caravan on its way back from Baghdad is suddenly of grave
import. The party goes south to rejoin the caravan and help escort
it north back to safety. After traveling 150 leagues, the caravan is
found. On the way back to Zeugma, the caravan is beset by a habboob
- a sandstorm. 3 desert ogres - far more cunning than ordinary ogres
and wielding magic, use the cover of the storm to attack.
10: Anti-Banditry: Antep pays tribute
to the Turks of the Sultanate of Rum, who abandon their siege - for
now. While the party was away, Jaffar organized a small caravan going
east, which was attacked by bandits. Jaffar wants revenge, his goods
back but most importantly two things: a magical ring that "can see ahead"
*and* a very valuable slave. The party dispenses justice, retrieves
the ring and travels to Edessa, the fallen crusaser city, which has
become a camp for slave traders and where the slave has been sent.
On the way, the party meets Cengis the mule skinner, and Crius, a
large mysterious being guarding a hidden door. The slave turns out
to be a Circassian beauty that is highly educated in the codes of law
- a bride for the Paper Satrap.
11: A trip to Aleppo: Valmaxian
examines Jaffar's new ring and declares it to be not a divination
tool but the ring of many parts, which can be used to retrieve an
ancient magical item hidden beneath the Citadel of Aleppo - the staff
of storms! The party agrees to help. What follows is *extremely*
eventful, with earthquakes, the staff retrieved, Joscellin II, count
of Edessa, found and rescued and the woman Le-ka, resurrected but put
inside a golden automaton, who now claims to be the Avatar of Ishtar,
Goddess of love and war.
12: Upward Mobility: Jaffar tries to
become a council member on the merchant guild. Someone tries to
assassinate "him" - but his servant is the true target.
Templars are involved, and the assassin's guild is not happy someone
is poaching on their turf. An arrangement is made with the templars -
but Agda the witch foresees blood - BLOOOOOOODD!!! Hassan informs
party that Jaffar is still in danger. While traveling on protection
detail, the party is attacked by would be assassins - but the party
proves to be the anvil upon which the local assassins hammer the
would be interlopers. Many dead. Jaffar wins election. Amandil
dreams of bloody pyramid.
13: Delaying action: Nur Ad Din is
enraged by Joscelin II's escape and decides to strike Turbesell
(Joscelin's forteress) before Joscelin is ready. Zeugma decides to
help covertly - the party, some assassins (Hassans, Assad and *the
black dwarf of zeugma!!!*), an Amber mage and other sell-swords
(including Stephanos's group) are recruited to start guerrilla
campaign. Party convinces goblins to help. Enemy scouts are
ambushed, bridges are torched, horses are spooked, siege engines are
burned down and enemy mages are furiously murdered. Eventually,
Armenian relief force shows up, and Nur Ad Din withdraws.
14: Jailbreak: The Egyptian (elven) Ambassador has
learned that Valmaxian has left and is a follower of Set, the imprisoned dark elf/god. The Staff
of storm is a key to release him. The Blue guild foresees a key "fork" event
and are troubled. Agda the witch flees the city. Party has doubt,
as Set's imprisonment could be considered unjust. They return to the hidden valley where they previously met Crius (who is no longer present). They do not
manage to stop Valmaxian in time, and Set is released at night. Set rises his hand and blots the moon. He and declares that there are not four
elements, there are five. Once the darkness disperses and the moon
returns to normal, Set and his servants are gone.
And that was it! The campaign had a 2nd arc, where the consequences of Set's release were explored, in 2014, but that would be best kept for another post. This text was originally a recap for the players starting the 2nd arc.
Lessons learned from this campaign:
1: The Warhammer system works well to simulate a lowish fantasy setting, such as a pseudo earth, and it doesn't have to be used exclusively for the Warhammer setting. It takes a lot less work to run a game than in 3.X, pathfinder or even 5e, leaving the GM more time to think about more important things (who are the NPCs, what do they want etc). One of the reason for it is that the great majority of careers ("classes" in Warhammer) are not magic users.
2: However it is not perfect. There is a lot of "whiffing" (fights were combatants are all missing each other) at first, some of the rules are a bit peculiar, and the career system *really* isn't for everyone. One of my players (who later departed, not listed above) had a huge problem with not being able to design his character exactly how he wanted, and instead having to rely on a random roll to tell him what his lot in life would be.
2b: Adding bits of Dragon Warriors to a game is always a good idea. Although almost all the adventures were original content, A Grave Hunt heavily borrowed on a Dragon Warriors module. Goblins and trolls were based on Dragon Warriors description, and I adapted the Dragon Warriors magical systems to Warhammer.
3: I had a lot of fun running a city campaign, although half the action was outside the city walls. It requires a good understanding of how the city works, what are the factions, what do they want. Looking back, I think I should have injected a little bit more chaos in there - I think that once you have an entire city in your mind, you can become reluctant to shake the boat too much, and that can be detrimental
4: As I am older, I have reservations now that I did not have back then. To weave a "pseudo-earth" and the fantasy races, I had the elves being Egyptians (and originally refugees from Atlantis), dwarves were analogous to the Jews, and the Turks were hobgoblins. I put in a lot of effort to be realistic and not mono-dimensional. However, I am sure that no matter how well I did it, some would find the very concept profoundly offensive. I *really* thought Zeugma was interesting (I started taking notes on Zeugma in 2004, I let things percolate in my mind for a long time sometimes), but I'm hesitant to publish the setting.
4b: While pseudo-earth is "easy" because there is tons of material out there (see https://www.akdn.org/publication/aga-khan-trust-culture-citadel-aleppo-description-history-site-plan-visitor-tour-Syria - I was able to turn the citadel in this crazy multi level dungeon that was historically plausible!) - there are also... links to real life situation. Aleppo suffered terribly during the Syrian civil war, is it "cool" now to have a game there today? :/ The second art of this campaign occurred, in part, in the Tarim basin, aka Xinjiang, where the Uighurs are currently undergoing terrible persecutions. When I ran the 2nd arc of campaign things were nowhere as bad, now it feels... bad... to use it as a gaming setting.
4c: This also applies to events of *back then* that still reverberates today - things like the crusades, tensions between faiths (or between the various sects of the same faith)… I think it makes for good gaming material, but it's perilous to publish.
5: Different groups prefer different style of play and freedom. I don't like railroading, but on the other hand my group likes to be "pointed towards the plot". Having a patron saying "I have a problem, take care of it please" and then letting the PCs loose really works well for my gaming group. I knew what the problem was, who the people involved were and what they wanted, but how it played out depended on my PCs. Sometimes they really surprised me.
Lot of inspiration! Love how you built the atmosphere!!
ReplyDeleteI managed to let some "plot threads" throughout the campaign, some that went no where and others that grew into something bigger. I didn't have a big plan in advance, just a few broad outlines, and it grew into something bigger :)
DeleteYes, I'm doing the same!! But all the details and the politics stuff you put in there give a lot of life in the campaign!!
DeleteThank you - I find that for a city campaign, it's almost required. Who's in charge? Why are they in charge? What do they want? What do other people want... you ask enough questions and a "network" of power, actors/factions and influence emerges. Not all players are into that though, so moderation is key.
DeleteTotally agree!
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